Going Bovine

From the author of the Gemma Doyle trilogy and The Diviners series, this groundbreaking New York Times bestseller and winner of the Michael L. Printz Award for literary excellence is "smart, funny, and layered," raves Entertainment Weekly.

All 16-year-old Cameron wants is to get through high school—and life in general—with a minimum of effort. It’s not a lot to ask. But that’s before he’s given some bad news: he’s sick and he’s going to die. Which totally sucks. Hope arrives in the winged form of Dulcie, a loopy punk angel/possible hallucination with a bad sugar habit. She tells Cam there is a cure—if he’s willing to go in search of it. With the help of a death-obsessed, video-gaming dwarf and a yard gnome, Cam sets off on the mother of all road trips through a twisted America . . . into the heart of what matters most.

From acclaimed author Libba Bray comes a dark comedic journey that poses the questions: Why are we here? What is real? What makes microwave popcorn so good? Why must we die? And how do we really learn to live?

"A hilarious and hallucinatory quest."—The New York Times

"Sublimely surreal."—People

"Libba Bray's fabulous new book will, with any justice, be a cult classic. The kind of book you take with you to college, in the hopes that your roommate will turn out to have packed their own copy, too. Reading it is like discovering an alternate version of The Phantom Tollbooth, where Holden Caulfield has hit Milo over the head and stolen his car, his token, and his tollbooth. There's adventure and tragedy here, a sprinkling of romance, musical interludes, a battle-ready yard gnome who's also a Norse God, and practically a chorus line of physicists. Which reminds me: will someone, someday, take Going Bovine and turn it into a musical, preferably a rock opera? I want the sound track, the program, the T-shirt, and front row tickets."—Kelly Link, author of Get in Trouble, finalist for the Pulitzer Prize

Also by Libba Bray

The Gemma Doyle Trilogy

The Sweet Far Thing

Rebel Angels

A Great and Terrible Beauty

CHAPTER ONE
In Which I Introduce Myself

The best day of my life happened when I was five and almost died at Disney World.

I’m sixteen now, so you can imagine that’s left me with quite a few days of major suckage.

Like Career Day? Really? Do we need to devote an entire six hours out of the high school year to having “life counselors” tell you all the jobs you could potentially blow at? Is there a reason for dodgeball? Pep rallies? Rad soda commercials featuring Parker Day’s smug, fake-tanned face? I ask you.

But back to the best day of my life, Disney, and my near-death experience.

I know what you’re thinking: WTF? Who dies at Disney World? It’s full of spinning teacups and magical princesses and big-assed chipmunks walking around waving like it’s absolutely normal for jumbo-sized stuffed animals to come to life and pose for photo ops. Like, seriously.

I don’t remember a whole lot about it. Like I said, I was five. I do remember that it was hot. Surreal hot. The kind of hot that makes people shell out their life savings for a bottle of water without even bitching about it. Even the stuffed animals started looking less like smiling, playful woodland creatures and more like furry POWs on a forced march through Toonland. That’s how we ended up on the subterranean It’s a Small World ride and how I nearly bit it at the place where America goes for fun.

I don’t know if you’ve ever experienced the Small World ride. If so, you can skip this next part. Honestly, you won’t hurt my feelings, and I won’t tell the other people reading this what an asshole you are the minute you go into the other room.

Where was I?

Oh, right—so much we share, time aware, small world. After all.

So. Small World ride, brief sum-up: Long-ass wait in incredibly slow-moving line. Then you’re put into this floating barge and set adrift on a river that winds through a smiling underworld of animatronic kids from every country on the planet singing along in their various native tongues to the extremely catchy, upbeat song.

Did I mention it’s about a ten-minute ride?

Of the same song?

In English, Spanish, Swahili, and Japanese?

I’m not going to lie to you; I loved it. Dude, I said to myself, this is the shit. Or something like that in five-year-old speak. I want to live in this new Utopia of singing children of all nations. With luck, the Mexican kids will let me wear their que festivo sombreros. And the smiling Swedes will welcome me into their happy Nordic hoedown. Välkommen, y’all. I will ride the pink fuzzy camel in some vaguely defined Middle Eastern country (but the one with pink fuzzy camels) and shake a leg with the can-can dancers in Gay Paree.

Bonjour.

Bienvenido.

Guten Tag.

Jambo.

I was with the three people who were my world—Mom, Dad, my twin sister, Jenna—and for one crazy moment, we were all laughing and smiling and sharing the same experience, and it was good. Maybe it was too good. Because I started to get scared.

I don’t know exactly how I made the connection, but right around Iceland, apparently, I got the idea that this was the after?life. Sure, I had heatstroke and had eaten enough sugar to induce coma, but really, it makes sense in a weird way. It’s dark. It’s creepy. And suddenly, everybody’s getting along a little too well, singing the same song. Or maybe it had to do with my mom. She used to teach English classics, heavy on the mythology, at the university B.C. (Before Children) and liked to pepper her bedtime stories with occasional bits about Valhalla or Ovid or the River Styx leading to the underworld and other cheery sweet-dreams matter. We’re a fun crew. You should see us on holidays.

Whatever it was, I was convinced that this ride was where you went to die. I would be separated from my family forever and end up in some part of the underworld where smiling kid robots in boater hats sang nonstop in Portuguese. I had to keep that from happening. And then—O Happy Day! Salvation! Right behind the Eskimo igloo (this was before they were the more politically correct but slightly naughty-sounding Inuits), I saw this little door.

“Mommy, where does that door go to?” I asked.

“I don’t know, honey.”

We were headed for certain death on the River Styx. But somehow I knew that if I could just get to that little door, everything would be okay. I could stop the ride and save us all. That was pretty much it for me. My five-year-old freak-out meter totally tripped. I slipped free of the seat and splashed into the fishy-smelling water, away from the doe-eyed, pinafored girl puppet singing, “En värld full av skratt, en värld av tårar” (Swedish, I’m told, for “It’s a world of laughter, a world of tears”).

The thing is, I didn’t know how to swim yet. But apparently, I was pretty good at sinking. You know that warning about how kids can drown in very little water? Quite true if the kid panics and forgets to close his mouth. You can imagine my surprise when the water hit my lungs and I did not immediately start singing, “There’s so much that we share.”

The last thing I remember before I started to lose consciousness was my mom screaming to stop the ride while crushing Jenna to her chest in case she got the urge to jump too. Above me, lights and sound blended into a wavy distortion, everything muted like a carnival heard from a mile away. And then I had the weirdest thought: They’re stopping the ride. I got them to stop the ride.

I don’t remember a whole lot after that, just fuzzy memo?ries filled in by other people’s memories. The story goes that my dad dove in and pulled me out, dropping me right beside the igloo, and administered CPR. Official Disney cast members scampered out along the narrow edge of EskimoSoontoBeInuit-land, yammering into their walkie-talkies that the situation was under control. Slack-jawed tourists snapped pictures. An official Disney ambulance came and whisked me away to an ER, where I was pronounced pukey but okay. We went back to the park for free—I guess they were afraid we’d sue—and I got to go on the rides as much as I wanted without waiting in line at all because everybody was just so glad I was alive. It was the best vacation we ever took. Of course, I think it was also the last vacation we ever took.

It was Mom who tried to get the answers out of me later, once Jenna had fallen asleep and Dad was nursing his nerves with a vodka tonic, courtesy of the hotel’s minibar. I was sitting in the bathtub with the nonskid flower appliqués on the bottom. It had taken two shampoos to get the flotsam and jetsam of a small world out of my hair.

“Cameron,” she asked, pulling me onto her lap for a vigorous towel-drying. “Why did you jump into the water, honey? Did the ride scare you?”

I didn’t know how to answer her, so I just nodded. All the adrenaline I’d felt earlier seemed to pool in my limbs, weighing me down.

“Oh, honey, you know it’s not real, don’t you? It’s just a ride.”

“Just a ride,” I repeated, and felt it sink in deep.

The thing is, before they pulled me out, everything had seemed made of magic. Like I really believed in this crazy dream. But the minute I came to on the hard, glittery, spray-painted, fake snow and saw that marionette boy pulling the same plastic fish out of the hole again and again, I realized it was all a big fake. The realest thing I’d ever experienced was that moment under the water when I almost died.

And in a way, I’ve been dying ever since.